29 Years. 29 Albums.

I turn twenty-nine in tomorrow.

In honor of the beginning of the end of my twenties, here are twenty-nine albums (one from each year of my life so far) that have really spoken to me in some way. Although these are not necessarily my favorite albums of all time (though many of them would make that list), these are my favorite albums from each year of my life.

1986: Paul Simon: Graceland. Paul Simon collaborates with African musicians and creates a one of a king masterpiece. My dad had this one on cassette tape when I was a kid. I rediscovered when somebody played it a party when I lived in Johnson City. Still one of my favorites.

1987: Tom Waits: Frank’s Wild Years. The final part of Waits’ Rain Dogs trilogy, and his strangest record up to this point. It has the sound of Coney Island sometime in the 1920s. I first discovered Waits in high school, and he’s been my favorite solo artists ever since. There’ll be a lot of him on this list.

1988: R.E.M.: Green. Not my favorite R.E.M. album, but this is as good a place to start as any if you’ve never listened to them. It’s the perfect transition between their earlier Athens-based indie rock-period and the major label super-stardom that would follow in the 1990s. The album also features the first time Peter Buck would use the mandolin extensively in the band’s arrangements, a distinctly southern influence that would appear again in their 90s work.

1989: Bob Dylan: Oh Mercy. Legendary songwriter Bob Dylan teams with legendary producer Daniel Lanois and once again reinvents himself after floundering throughout most of the 1980s. “The Man in the Long Black Coat” is the stand-out track on this one, a ballad with religious and Western overtones. Other notable tracks include “Ring Them Bells” and “Shooting Star.”

1990: Depeche Mode: Violator. I have a confession. I didn’t discover Depeche Mode until two years ago. I found this album in the bargain bin at Walmart and didn’t stop listening to it for a solid month. “Personal Jesus” has been covered by everyone from Marilyn Manson to Johnny Cash, and this album arguably laid the groundwork for the electronic industrial of bands like Nine Inch Nails.

1991: Nirvana: Nevermind. The album that launched Kurt Cobain to into the reluctant role of “voice of a generation.” A true rock and roll classic. Enough said.

1992: Tom Waits: Bone Machine. Waits completely reinvented himself in the 1980s from the role of drunken crooner into the role of a true avant garde artist, with his wife and songwriting partner/co-producer Kathleen Brennan helping facilitate the change. Here, Brennan’s role becomes even more important in Waits’ work as we really hear the influence of Captain Beefheart and see why Waits is regarded as hero in the primitive and punk movements. This album also has a distinctly rural flavor that I love. I’ve read that most of it was recorded in a barn, and it definitely shows, most notably in the upright bass and dobro based Gospel blues of “Jesus Gonna Be Here.” The songwriting on this is album is some of the best of Waits’ career in a songwriting career that is right up there with Dylan’s. Arguably Waits’ greatest artistic achievement.

Honorable mention also has to go R.E.M.’s Automatic for the People, possibly the best album of their career.

1993: Smashing Pumpkins: Siamese Dream. 1993 was a year full of great music, so this was a really tough one. With songs like “Disarm,” “Mayonaise,” and “Today,” I have to give Billy Corgan and company the edge. Honorable mentions include Counting Crows: August and Everything After, Pearl Jam: Vs., Radiohead: Pablo Honey, and of course, Nirvana: In Utero.

1994: Neil Young and Crazy Horse: Sleeps With Angels. Partially inspired by the death of Nirvana frontman, Kurt Cobain, Sleeps with Angels is Neil Young’s most haunting and under-rated album. A bittersweet lament with spiritual overtones, I remember thinking, even as a kid when my dad bought it for me as a seven-year-old (I’ve always been a Neil Young fan) that this album sounded very different from the Neil Young material I’d heard before. This is probably the best that Young’s backing band Crazy Horse has ever sounded, and it also marks Young’s final collaboration with longtime producer David Briggs, who would die shortly after the album’s completion. The end of an era from the godfather of grunge.

Honorable mention for me personally has to go to the final real Pink Floyd album (I don’t include The Endless River), “The Division Bell.” This was the band’s second album without longtime bassist/chief songwriter Roger Waters. It’s also the first album that I ever owned on CD. Though the lyrics aren’t what they were with Waters at the helm, musically, the band hadn’t sounded this on top of their game since Wish You Were Here.

1995: Smashing Pumpkins: Mellon Collie and the Infinite Sadness. Speaking of Pink Floyd, this is the greatest double album since the Wall. Corgan and company spread their wings artistically, and give us some of the finest songs of the 1990s. The radio-friendly pop of “1979,” and the symphonic-driven “Tonight, Tonight” show us the band’s softer side while “Zero” and “Bullet With Butterfly Wings” are some of the finest hard-rock anthems of the time. The best thing about Mellon Collie is its diversity. With twenty-eight songs total, there’s literally something for everyone here.

1996: R.E.M.: New Adventures in Hi-Fi. The band’s final album with drummer Bill Berry, and what a way to send him off. Recorded during their North American tour, the album is a showcase of why R.E.M. was considered one of the best bands of the time with everything from rockers like “Leave” to the understated acoustic folk of “E-Bow the Letter” having a place among these fourteen tracks. Though not their best album of the decade, this is my favorite album released in 1996.

1997: Radiohead: OK Computer. This was such a tough choice as Bob Dylan’s Time Out of Mind was also released in 1997. At the end of the day, I have to give a slight edge to OK Computer. This album introduced me to Radiohead, and all these years later, it’s still one of my favorite albums of all time. A masterpiece in every way and foreshadowing of the band’s more experimental work in the new millennium, there’s really nothing I can say about it other than if you have not listened to this album, stop what you’re doing and go find it.

1998: Dave Matthews Band: Before These Crowded Streets. The peak of DMB’s career, everything about this album is perfect. Boyd Tinsley’s violin, LeRoi Moore’s saxophone and various wind instruments, and Tim Reynold’s electric guitar interplay beautifully with each given a chance to shine, while Matthews crafts the best songs of his career, using his odd vocal techniques to even greater effect than on their first two major label albums. Rounding out the rhythm section is Stefan Lessard’s bass and Carter Beauford’s drums, with a host of guest players including Alanis Morisette, Bela Fleck, and the Kronos Quartet making appearances throughout the album. Never again would the band make an album this beautiful or this dark.

1999: Tom Waits: Mule Variations. Waits returns to the boneyard once again and crafts one of the most personal albums of his career. More polished than Bone Machine and less experimental than his eighties work, Waits shows why he’s considered one of the greatest songwriters working with the album including ballads like “Hold On” and “Georgia Lee” to bluesy numbers like “Cold Water” and “Get Behind the Mule.” Also, when I die, you all better damn well play “Come On Up to the House” at my funeral. This wasn’t my first encounter with Waits’ music (that would be Alice), but this was the album that got me hooked, I discovered this album as a sophomore in high school. If only I could discover it again.

2000: Radiohead: Kid A. OK Computer saw Radiohead beginning to experiment with electronic music. This album sealed their reputation as musical geniuses. “Idioteque” was the first thing I ever heard from Radiohead, as I saw the music video on MTV 2 late one night. Simply put, I had never heard music like this before, and it blew me away. To this day, this is my favorite Radiohead album.

2001: Bob Dylan: Love and Theft. This was the first Dylan album I ever really listened to, and it’s still one of my favorite albums of all time. After the musings over mortality that marked much of Time Out of Mind, Dylan comes out swinging with some of the best lyrics of his career with his best backing band since, well, the Band. These are songs that only an older man, full of world weary wisdom yet too much of a son-of-a-bitch to die, could write. I hope to one day be half this cool.

2002: Wilco: Yankee Hotel Foxtrot. What can I say about this album? A combination of experimentation and folk-rock that never fails to disappoint, every track on this album is a finely crafted masterpiece. Jeff Tweedy and company deliver. Big time.

2003: The White Stripes: Elephant. This album was my junior year of high school. “Seven Nation Army” and “Ball and Biscuit” saw the mainstream embrace Jack White as a guitar god. I just really dug the color scheme.

2004: Tie: Loretta Lynn: Van Lear Rose and Tom Waits: Real Gone.

Van Lear Rose: Speakin’ of Jack White, how about we team him up with Appalachia’s own country music legend, Loretta Lynn? Lynn shows that she’s still got it as both a singer and a songwriter while White tries his hand at producing. The result is a modern day country music classic that was largely ignored by the mainstream country establishment. The album still managed to win a Grammy for Best Country Album. Not bad, Jack. Not bad at all.

Real Gone: Waits incorporates elements of hip-hop into his music for the first time, with samples and beat boxing being used to great effect on many of this album’s sixteen tracks. This is also the first Waits album to feature none of his signature piano playing, with electric guitars, found percussion, and kick ass take-no-prisoners band making this the loudest, most distorted, heaviest album of Waits’ career, like Bone Machine on acid and steroids. The spoken word “Circus” and “Don’t Go Into that Barn” are downright creepy while even the quieter moments like “Dead and Lovely” and “How’s it Gonna End” are full of murder, mystery, twisted tales, and broken promises. Waits would also write his first protest song on this album, “Day After Tomorrow” an acoustic ballad about a soldier longing to be home from the battlefield. Though reportedly written with the Iraq invasion, the song could be about any soldier in any war.

2005: The White Stripes: Get Behind Me Satan. Let’s face it. During this time, Jack White was unstoppable. Get Behind Me Satan is the White Stripes’ most experimental work, and in my opinion, though I know it’s an unpopular one, it is the band’s best album. White seems to be fighting back against the mainstream success of Elephant here with electric guitar largely taking a backseat to acoustic and piano based arrangements. The vibraphone even manages to make an appearance.

2006: Bob Dylan: Modern Times. Dylan continues his latter day resurgence with songs like “Thunder on the Mountain,” “Nettie Moore,” and “Ain’t Talkin’” showing that he is still rock’s finest poet and one of its best bluesmen while “Working Man’s Blues # 2” sees Dylan channeling the ghost of Woody Guthrie once again in a song about the trials of the working poor.

2007: PJ Harvey: White Chalk. Harvey, before known as one of the biggest badasses in women’s rock, hangs up her electric guitar and sits down at the piano. The result is one of the most haunting and heart wrenching albums I’ve ever heard. The album opens with the foreboding line, “As soon as I am left alone, the devil wonders into my soul,” in “The Devil” and closes Harvey’s banshee wail in “The Mountain.” In between are nine of the most beautiful songs I’ve ever heard. If ghosts could make music, they’d make White Chalk.

2008: Coldplay: Viva La Vida or Death and All His Friends. I lost my baby cousin the year this album came out, and I have to say that this album helped get me through it. Coldplay creates their masterpiece, and the result is breathtaking. Full of gorgeous production and breathtaking arrangements, this is pop-rock at its finest: uplifting, soulful, intelligent, and beautiful.

2009: Vic Chesnutt: At the Cut. Sadly, Chesnutt would commit suicide shortly after this album’s release, and there are definite hints, if not outright signs, of the tragedy to come in the album’s lyrics in songs like “I Flirted With You All My Life” and stormy musical arrangements like the brooding opener “Coward.” Other stand out tracks include “Granny” and “Chinaberry Tree.” A tragic farewell to one of the most under-rated songwriting geniuses of our time.

2010: Bonobo: Black Sands. This mostly instrumental album from British DJ Bonobo is one of the most relaxing albums I’ve ever heard. Lavish arrangements and groovy beats meet with Eastern and jazz-influences. If you just need to chill for awhile, you’d be hard pressed to do better than this.

2011: PJ Harvey: Let England Shake. An album about the ravages of war, Let England Shake is Harvey’s most political work to date. It’s also her most beautiful. Most of the songs were written on autoharp with the instrument being featured prominently on most of its twelve tracks. Like a female version of an Old Testament prophet, Harvey calls out the hypocrisy and violence of our time. A modern masterpiece in every sense of the word.

2012: Bob Dylan: Tempest. The body count on Tempest is high. In nearly every song, someone’s drying a violent death whether its John Lennon being shot in the back in “Roll On John”or the sinking Titanic carrying its passengers to an icy and watery grave in the title track. When people aren’t actually dying, Dylan is threatening to have his dogs “tear you limb from limb” in “Pay in Blood” and demanding the bar keep plays for his “flat chested junkie whore” in “Scarlet Town.” Dylan’s voice fits the lyrics as it has now deteriorated to the point that it sounds as if he’s been gargling lava while shooting straight moonshine. Despite the ravages of age, Dylan assures us he “ain’t dead yet” and “his bell still rings” in “Early Roman Kings.” Even though time has left him ragged, Dylan has rarely sounded more on top of game.

2013: Phosphorescent: Muchado. “Song For Zula” is one of the most beautiful indie rock ballads in recent memory. The rest of the album is tinged by heartbreak and hopeful melancholy. Recorded in singer/songwriter Matthew Houck’s makeshift studio, the album’s production has an unfinished quality to it that some may find challenging. That doesn’t diminish the album’s overall power.

2014: Sun Kil Moon: Benji. Singer/songwriter Mark Kozelek, aka Sun Kil Moons, presents stream-of-conscious lyrics about family, mortality, and the meaning (and possible meaninglessness) of life over mostly acoustic arrangements. A deeply personal album that, in my opinion, was the best album of 2014.

2015: This year ain’t over, so I’m not going to cast my hat on this year just yet. I definitely have to list Modest Mouse’s return, Strangers to Ourselves, as a rock frontrunner, although the infectious hip hop of Kendrick Lamar’s “King Kunta” featured on “To Pimp a Butterfly” has also got my attention. We’ll see where the year goes.

Gravy and Biscuits and the Garden of Eden

When I was a little boy, after church my mother and I would visit the farm where she had spent her entire childhood to visit her family. That farm is an eighty-eight acre tract of land that lies on the mountain between Woodway and Stickleyville down in Lee County, Virginia. My mother lives there now, much as my grandmother did when I was a boy. To this day, whenever I visit it, I am filled with an intense array of emotions, most notably longing. This place, with its muddy creeks rushing down the mountain and its barnyard smell of cow manure and its lush trees which canopy the whole area around the house, is not only a part of my identity as an Appalachian, it is a part of the daily context in which I live my life as a human being, as a person. When I think of the home I want to return to, I think of my mother, and I think of this beautiful stretch of land.

When my parents divorced, my mother and I moved onto the farm. I would spend my weekend with my father and my father’s relatives, but through the week, the farm was my home. My uncles, who had never left there, were farmers: tobacco, cattle, corn, apples, cherries. Mostly tobacco. And cattle. The old farmhouse was heated by a wood burning stove in the Basement. Family photographs covered so much of the walls that you couldn’t see the bare plywood underneath. Most of the photos were black and white, or had once been in color but had aged into that sepia technicolor hue that we associate with the 1970s. The parts of the walls that weren’t lined with photographs were lined with bookshelves and books. Some people might suspect that a pair of bearded mountain farmers would be unread men, and they would be quite wrong, blinded by stereotypes and prejudice. My grandmother, who wasn’t afraid to use a curse word or four when the occasion called for it, which was apparently often, would sit in her rocking chair and listen to the sounds of bluegrass gospel. The Christianaires and the Good Shepherd Quartet are two of the ones that spring immediately to mind.


My grandmother refused to cook on anything but a wood burning stove, and so there was a second wood burning stove in the kitchen. One for heat. One for meat. My mother and her sisters had offered to buy her an electric stove. She always refused. And so every morning, at 5 AM, I would be brought from sleep, still groggy, by the sound of the morning fire being lit. Keep in mind, I am only twenty-eight as of this writing. It sounds very well as if I am speaking of a time long ago, but in truth, this was the mid-1990s, the age of the dawn of the internet, which, of course, we didn’t have. In fact, we didn’t have cable, either. We could pick up two stations on the television in the living room, which was the only one in the house. Channel eleven, out of Johnson City, channel five, though I’m not sure where it was out of, and a PBS station that you had to click the dial to the UHF setting to get to.

Soon after the fire was lit, I would begin to hear the crackle of bacon, its smell drifting into the bedroom where I slept. The air would still be cold on the winter mornings and the blankets would nestle me like a loving embrace. My grandmother cooked gravy and biscuits every morning on a wood burning stove, and that’s what I woke up to most days. Slowly, I would come around and wake up. I would get out of bed and feel the cool, linoleum floor beneath my feet. I would get ready for school and eat gravy and biscuits and rush off to the bus stop way down at the end of the driveway.


I didn’t know it then, but that was a sort of paradise in and of itself, living in the slow paced way of life of my childhood. These days, my first instinct in the morning is to check my emails, then drink coffee, then check Facebook, then make sure that I haven’t neglected to reply to anyone. The great irony of humanity’s technological advancements is that even as we have grown more digitally connected, this digital connectedness has in many ways isolated us from some of life’s simpler pleasures, and from parts of ourselves: the smell of bacon cooking slowly on a wood burning stove, the unhurried rising of the sun through the homemade curtains, accompanied by the rooster’s crow out in the barnyard. These are things that were a part of my daily existence in childhood, and I confess that I often wish they were a part of my existence now. I’m sure I’m not the only one, young, old, or in-between, raised in the hills of Appalachia, who feels the same way. It seems at times as if the world has moved on, but in our hearts, we have not.

There are still some of us who remember what the Garden of Eden was like.


A Couple of Passages that Have Struck Me Today from the Hindu Scriptures

Those closest to me (and many of those who aren’t so close to me, thanks to the wonderful advent of social media) know that I am deeply interested in philosophy, religion, theology, and the like.  For most of my life up to this point, that has meant exploring the Christian tradition I was raised in despite the fact that I have believed for years now that all religions contain divine truth.  Now, however, as I approach my twenty-ninth year, I have reached a point where I am no longer trying to hold on to my faith.  What I mean to say is that I have grappled with questions surrounding my own Christian identity throughout most of my twenties and have discovered that faith that must be constantly grasped and clung to isn’t really faith.

This is not to say that I have abandoned Christianity in any sense, but that I feel (notice I did not say “believe”) that whatever those of us who use such language mean when we speak of God or of the Divine cannot be contained within the confines of any one religion or book or, God-help-us, dogma.  Instead, for my part, I have decided that I will let the Spirit blow my intellectual and spiritual curiosity wherever it will.  I now float in my faith rather than grasp at it, to paraphrase the philosopher Alan Watts.

There is a book entitled “The Bible of the World” that has been sitting rather neglected on one of my bookshelves for quite sometime.  It is a considerably old book, at least from my perspective.   It was published in 1939 under the editorial guidance of Robert O. Ballou and contains English translations of many of the world’s major religious texts.  I am currently making my way, albeit more slowly than I’d like, through the section containing a selection of Hindu texts.  While my study of Christian theology and first-hand Christian experience has taught me that a religion is much more than its own revered books, reading through the Hindu scriptures has, over the past few days, filled me with incredible peace.

I’ve found the two following selections particularly beautiful.

“Even in bondage thou shalt live with the virtuous, the erudite, and the truthful; but not for a kingdom shalt thou stay with the wicked and malicious.  The vile are ever prone to detect the faults of others, though they be as small as mustard seeds, and persistently shut their eyes against their own, though they be as large as Vilva fruits.”  This was taken from the Garuda Purana. Obviously, I can’t help but notice the similarity to the words of Jesus in the Book of Matthew when he asked, “Why do you look at the speck of sawdust in your brother’s eye and pay no attention to the plank in your own eye?” (Matthew 7:3).  It makes me wonder to what extent Christ and the biblical writers were exposed to the predating Eastern philosophy of the Indian people.  It also begs the question of why is it that if these themes are so well-entrenched into all of the world’s religious traditions that we have such a hard time applying them in our daily lives?   I can’t help but feel a tinge of guilt as I know that the capacity to judge others is definitely within me, even as I often give myself a pass on my own faults, much to my own detriment.
I was also especially struck by this passage in the Vishnu Purana:

It should therefore be the assiduous endeavor of wise men to attain unto God.  He dwelleth eternally in all beings and all things dwell in him; and thence the lord Vasudeva is the creator and preserver of the world.  He, though identical with all beings, is beyond and separate from material nature, from its products, from properties and from imperfections; he is beyond all investing substance; he is universal soul; all the interstices of the universe are filled up by him; he is one with all good qualities; and all created beings are endowed with but a small portion of his individuality.  Assuming various shapes, he bestows benefits on the whole world, which was his work.  Glory, might, dominion, wisdom, energy, power and other attributes are collected in him.  Supreme of the supreme, in whom no imperfections abide, lord over finite and infinite, god in individuals and universals, visible and invisible, omnipotent, omnipresent, omniscient, almighty.  The wisdom, perfect, pure, supreme, undefiled and one only by which he is conceived, contemplated and known:  That is wisdom.  All else is ignorance.”

A final note on this blog update.  I’m in no way claiming to be an expert on comparative religion or anything of the sort.  I am very much a student of these things and have much to learn.  If anyone who considers themselves a member of the Hindu tradition should read this, know that if I have incorrectly made any assumptions, misstatements, or have presented any un-truths about that faith that such things were done out of my own ignorance, not out of any sort of willful maliciousness.  I only wanted to share with my own small readership that which I had learned today.

The Bible of the World, published by Viking Press.

The Bible of the World, published by Viking Press.


I was approached by Roxy Todd of West Virginia Public Radio about writing a personal essay for Valentine’s Day that focused on my love, complicated though it may be, for Appalachia.  Of course, I can’t separate my love for a place from my love for my wife and large extended family, which is what really makes southwest Virginia home.

The audio essay was included as a part of West Virginia Public Radio’s Inside Appalachia programming.  You can hear my essay, along with the rest of these beautiful love songs to Appalachia, by using the Soundcloud player embedded in this post.  The transcript of my essay follows.


For better or for worse, through sickness and in health, for richer or poorer. Committing to a place and a community is a lot like committing to a marriage. It takes work. It takes willpower. It takes dedication. But above all, it takes love. As a relatively newly-and-happily married man , I can tell you first hand that love is the not-so-secret ingredient in any relationship. The struggles of day-to-day life, the bouts with sickness, the financial stress that most newlyweds face, it can all be conquered by love and love is ultimately what has kept my wife and I going strong for six years now as a couple and for eight months as a married couple.

I’m reluctant to compare living in Appalachia, or anywhere else for that matter, to something as sacred as marriage; however, when I really break it down and examine marriage as the beginning point of many families including my own; when I trace my own family line back through over a century of people who lived, and died, in these ruggedly beautiful mountains; a line that includes farmers and prison guards and automobile mechanics and coal miners and storekeepers and mothers and fathers and husbands and wives, I can see where you definitely draw the similarities.

As I approach my twenty-ninth year on this planet, family is becoming more important to me than ever before. Having all ready lost most of my grandparents, I know that I will not have the wisdom of older generations to draw on forever, and there will come a time in the near future when I will have children of my own to guide and to mold to the best of my ability. And there will come a time, hopefully several decades down the line, when my own life will draw to a close and it will be time for me to exit the stage, hopefully with grace and dignity, having left things in my community and in my world at least a little better than they were when I got here and having left something of value for the generations to come.

My family is here, and that is why when I think of Appalachia in general and southwestern Virginia in particular, I can only think of home. This place isn’t perfect. Its economic struggles have been well-documented and its spiritual ones have been as well. But show me a perfect city. Show me a perfect community. Show me a perfect family, or a perfect marriage, or a perfect person. And I will show you a carefully crafted facade. Perfection, at least in this realm, does not exist and never will. 

But Love does.   And home is wherever love is.  

And for better or worse, I’m home. Til death do us part.

Saturday Night. 8 PM

It is Saturday night, 8 PM.  I am sitting in my living room and the house is quite comfortably warm and cozy on this February evening.  The light from the kitchen is giving off a soft glow and there is a faint buzz of electricity about, along with the whimpering of our puppy, currently in time out in her kennel for trying to chase our two cats.  We have to set boundaries.

My father and step-mother came to visit us earlier.  My father and I spent a considerable amount of time talking about our mutual faith, our relatives, our lives.   He has decided to give up drinking beer altogether, and is trying to live a healthier lifestyle.  He is also wearing a nicotine patch and has curbed his smoking of cigarettes considerably.  At fifty-seven years old, these changes are not easy for him, but I am very proud of him for making them nevertheless.  Change is never easy.

My wife has been in an angry mood today.  I have been in angry mood over the past week.  But we have not been angry with each other and we seldom are.  I am thankful for our love.  It has sustained me through the darkest of times and over the past six years has been a source of strength and of joy for both of us.  Both of us have been spending considerable time reflecting on the injustices that so many of our human family are currently facing.  The killer of a transgendered black woman had whose bond was set at a thousand dollars.  A close friend got ripped off.  A former coworker was screwed over by a big bank.  All over the world, we see the evidence of a system and a way of life that for so many people is causing such suffering and such a sense of separation and anxiety.  I myself have felt this separation, this anxiety, this sense of something-being-off many times.  So have many other people. Lord have mercy.  Kyrie eleison.

And yet, though these feelings seem to be common to the human condition, what is also common to the condition of humanity in modern society is that we shouldn’t really talk about these things or dwell on them too deeply.  To admit our own insecurities about those things which trouble our spirits seems to be definitely frowned upon.  The West in general and America in particular wants success stories, feel-good stories, rags-to-riches, American Idol, destruction, delusion, and ignorance.  Even the things which gain considerable attention among the masses are not the Real Thing.

What do I mean by this?  Understand as you read this, if you read this, that this blog post is in no way meant to spark a discussion of policy nor is it meant to solve a problem.  I am writing this in a rather stream-of-conscious matter and I have no intention to go back and make corrections or try to build a coherent argument after the fact.  This is a blog, not a college thesis.  This is a journal-made-public, not a news article.  I am just some guy, not an authority on anything in particular.

But in my role as just-some-guy, an everyman in every sense, I suppose I have a sense of empathy for all the other just-some-guys or just-some-women or just-some persons in the world.  I have faced my own multitude of struggles:  spiritual, existential, financial, physical.  I am far from perfect, though innate perfection is not something I desire.  “Perfection.”  Oh, how we obsess over it, how we desire it.  How it is projected into our lives at every moment, an unattainable ideal in which all the bills are paid, the body is without blemish, the soul is without suffering, the spirit is without doubt, the bank account runneth over, the Caribbean awaits on vacation.  But how many of us live that reality?  Not many.

Most of us work for a living after all.  We have our doubts about how well we are doing our jobs; how well we are engaging in our various relationships, both personal and professional; how well we are making it financially, spiritually, mentally.  We look in the mirrors and we do not see the perfect bodies of a Hollywood royal.  Our houses are not McMansions.  Our energy is not boundless.  We have our human limitations.

Christ Buddha
And it is in these limitations that we most deeply encounter our humanity, and therefore where we most deeply approach something that could be called Divine.  Examine Christ on the cross, bloodied and suffering.  Examine Buddha beneath the tree having put himself through every suffering imaginable and coming across the other side with that famous enlightened grin.  In both we see humanity in terms of its limits, not its boundless possibilities.  In both we encounter a form of divinity that suffers with us and through us on the most basic and primal of levels.  We do not here encounter boundless power or boundless energy or even boundless understanding.  Instead we encounter a set of limitations that speak volumes as to the human capacity for compassion when faced with the suffering and wisdom of others.  For it is in that otherness that we can truly learn, truly expand, truly become more alive to our own possibilities.

Humanity, you are great.  You are strong.  You are good and noble and should be proud.  But yet you, and when I say you, I include myself as part of that you, you walk as if one enslaved with your head bowed down.  You throw yourself over to your fears and your anxieties and you feel as if you are less than those around you, that they are not struggling with the same anxiety of being human.  But this is a complete fallacy and a complete fraud, a completely delusional falsehood perpetrated by your own self-awareness concentrating too much upon its own egoistic fear. . . . and pride.

Humanity, you have a responsibility.  You have a deep responsibility to love and to show and to share that love to those around you to the best of your ability, for the ones you see as other, they are really you in disguise.  From a strictly materialistic and scientific view (which I don’t subscribe to but nevertheless) they are born out of the same process of beautiful evolution.  Their atoms were forged in the same stars, those stars were born out of the same cosmic Bang.  From a Judeo-Christian perspective, they are creations of the same Father.  From a more universally spiritual perspective, they are a part of the same creative energy.

And the key to take away from this, both for myself and for anyone who happens to read it, is that it is perfectly OKAY to acknowledge all three of these things simultaneously.  It is okay to recognize the other as yourself.  It is okay to feel compassion.  It is okay to let your heart run over with love.  It is okay to let music move you to tears or to let out a big belly laugh or to howl at the moon or to do whatever you damn well please as long as you are not hurting another, which is really just hurting yourself, by your actions.

It is okay to let other people know how beautiful you find them.  It is okay to let them bask in your love, and it is okay to bask in their love.    It is okay to be a human being with all of the myriad complications, imperfections, and straining and growing pains that being a completely human, human being entails.

And what’s more, it’s okay to feel angry when you see something that doesn’t sit right with your sense of how other people ought to be treated.  It’s okay to feel deep rage at injustice, wherever we find it.  It’s okay to feel as if injustice offends some moral principle to the universe, or to God, because injustice is just that.

Of course, popular thought would tell you that to talk about love, peace, and nonviolence is just so much “hippie-dippy-shit” and to speak of injustice too much or too loudly is revolutionary or radical or worse.  I have no grand point to make in my final paragraph because to go on any longer would be to ramble too self-indulgently except to say that it is been too long since i have updated this blog and I will be doing so far more often in the near future.  I am writing this, very thankful for my wife and my family and the friendships and faith that have carried me for my past twenty-eight years on this planet.  I hope that if you are reading this, you can find something in your life to be thankful for as well.

Light Up Ahead

This was recorded way back in 2006 in Stone Creek, Virginia at my friend Joe Fultz’s house two days before I went to live away from Lee County for the first time as I moved to Nashville for awhile. It was sort of a bittersweet moment because at the time, I honestly didn’t plan on ever coming back home.

Joe is playing the single snare drum that you hear, and he and Keaton sang backing vocals.

This song originally appeared on Lonesome Highway in 2004, but I actually like this version better. The fact that it was recorded with friends makes it one of my favorite musical memories to this day.

You can download this and other albums at rancegarrison.bandcamp.com.

“Saw you standing on the side of the road

With your hung up eyelids and your heavy load

You were saying “I’m leaving this world.”

I was thinking life’s too unkind to little girls

But the sky is a sea and the moon is a boat

And we ain’t sailing baby we are merely a float

You are just too young to understand

So come here darling, take my hand

There’s a light up ahead and I’m reaching for it

In the end we all end up dead

It’s what you do between to make it feel like it was worth it.

Are you still laughing? Do you ever smile?

I haven’t seen you in quite awhile

Are you still driving your fairy boat to hell

Or were the fires put out? Is it just as well

To go on living like nothing’s wrong,

To go on smiling all the day long?

Sometimes there ain’t no joy left at all

But you won’t ever believe what I just saw

There’s a light up ahead and I’m basking in it

Won’t you follow me to bed?

This exhaustion’s cutting deep, and I just can’t ignore it.

There’s a light up ahead

There’s a light up ahead

There’s a light up ahead

Won’t you follow me to it?”

Trying Something New This Month

Gonna try something new this month. Hopefully it will be successful and will become an ongoing thing.

One of the things I gained from my business degree was an appreciation of an emerging trend called “conscious capitalism” which seeks to integrate doing good deeds and community involvement into the daily practice of a business. I decided that if I were to run a business, I would want to incorporate some of the ethics behind conscious capitalism into my work.

I just realized that I already have a potential business under my watch, which is the music I’ve been making and attempting to market for sometime. Over on my Bandcamp page, there are five full length albums, one EP, and one single available for download. You can also download my cover of Madonna’s “Like a Prayer” through iTunes. In an attempt to raise money to go toward my goal of releasing a vinyl version of my next project and to have something positive come out of my music which has usually come from a rather dark place in my heart, I have decided to donate twenty percent of all sales to charity, with the various causes rotating every month or so.

This month’s charity is going to be St. Jude Children’s Research Hospital. For those unfamiliar, they are an excellent organization that has been providing excellent care for children with cancer for decades and they have a pristine reputation.

All albums on my Bandcamp site are available on a pay what you want basis, but remember, if you download and pay, I’ll be giving twenty percent of that to St. Jude’s and the rest will be going to cover my costs and help fund a vinyl project, which has been a long time dream of mine.

So, let’s give this a shot and see where it goes. Come download some music and help support a good cause.